
溪山蘭若圖
巨然 · 960–85
立轴 · 克利夫兰艺术博物馆 · CC0

馆藏资料以“巨然”记录这位艺术家的署名。本页并置可核验的作品、年代与馆方说明,不用推测补齐缺失的生平。
可从作品题名、材质、形制和题跋进入观看,再结合下方馆方原文了解创作语境。已有馆方解说可供对照。
Monk Juran served the Southern Tang (937–75) imperial house in Nanjing, where he studied with Dong Yuan (active 930s–60s). Both founded the southern landscape tradition, or Jiangnan school, known for gentle misty riverscapes in wet ink. Juran moved north to Kaifeng when the Southern Tang surrendered to the Northern Song, the impact of which may be seen in this painting, presumably painted after 976. A towering mountain dominates the composition, typically representing the style of the Northern Song academy; while the use of long hemp fiber strokes to texture the mountains, wet dots, and round boulders on mountain tops are elements of the southern landscape tradition.
对应《溪山蘭若圖》。查看馆方完整解说
中文介绍据馆方记录整理;观看提示为策展解读。生卒记录存在异说时以进一步考证为准。
1 件图像记录;可能包含整册与单叶,不等于同等数量的独立创作。原题与署名限定保留。

巨然 · 960–85
立轴 · 克利夫兰艺术博物馆 · CC0