
仿王蒙修竹遠山圖
王翬 · 1694
立轴 · 克利夫兰艺术博物馆 · CC0

LIFE & LANGUAGE
4 件馆藏图像记录
历史文化资料,非入驻身份
馆藏资料以“王翬”记录这位艺术家的署名。本页并置可核验的作品、年代与馆方说明,不用推测补齐缺失的生平。
可从作品题名、材质、形制和题跋进入观看,再结合下方馆方原文了解创作语境。已有馆方解说可供对照。
Wang Hui studied paintings by earlier masters and digested their styles with unceasing virtuosity. He had such enduring affection for a landscape by Wang Meng 王蒙 (about 1308–85) that between 1686 and 1712, he made several copies, like this example. One of his compositional transformations here was moving the scholar from the pavilion directly into the landscape by the stream. His faithful copying also included inscriptions. Wang Meng had written that he was trying to resuscitate the style of an earlier artist, Wen Tong (1018–1079); therefore, Wang Hui sought to revive both Wang Meng and Wen Tong.
对应《仿王蒙修竹遠山圖》。查看馆方完整解说
中文介绍据馆方记录整理;观看提示为策展解读。生卒记录存在异说时以进一步考证为准。
4 件图像记录;可能包含整册与单叶,不等于同等数量的独立创作。原题与署名限定保留。