
萬壑松風圖
吳歷 · late 1600s–1718
立轴 · 克利夫兰艺术博物馆 · CC0

LIFE & LANGUAGE
1 件馆藏图像记录
历史文化资料,非入驻身份
馆藏资料以“吳歷”记录这位艺术家的署名。本页并置可核验的作品、年代与馆方说明,不用推测补齐缺失的生平。
可从作品题名、材质、形制和题跋进入观看,再结合下方馆方原文了解创作语境。已有馆方解说可供对照。
Wu Li, a native of Jiangsu province, was a talented painter, poet, and calligrapher. He studied painting with Wang Jian (1598–1677) and Wang Shimin (1592–1680), two of the “Four Wangs,” leaders of the Orthodox school of painting in the early Qing period. Through them, he also absorbed styles of earlier Ming dynasty masters. Wu was highly praised by his contemporaries and his paintings were in demand, but his interest in philosophy and religion curtailed his painting activities later in life. Wu Li converted to Christianity and in 1688 was ordained as one of the first 3 Chinese Jesuit priests. He spent the final 30 years of his life primarily in missionary work with the poor. Although this painting is undated, the sooty blackness of the ink tones and the easy self-confidence with which they are set down on paper echo recognized late works.
对应《萬壑松風圖》。查看馆方完整解说
中文介绍据馆方记录整理;观看提示为策展解读。生卒记录存在异说时以进一步考证为准。
1 件图像记录;可能包含整册与单叶,不等于同等数量的独立创作。原题与署名限定保留。

吳歷 · late 1600s–1718
立轴 · 克利夫兰艺术博物馆 · CC0