徐贲

馆藏资料以“徐賁”记录这位艺术家的署名。本页并置可核验的作品、年代与馆方说明，不用推测补齐缺失的生平。

可从作品题名、材质、形制和题跋进入观看，再结合下方馆方原文了解创作语境。已有馆方解说可供对照。

馆方作品解说 · 原文节选

Like many literati of the late Yuan and early Ming dynasties, Xu Ben was entangled with the perils of dynastic change as well as the ups and downs of his official career. It was mainly through the art of painting and poetry, as well as the ideal of reclusion, that he sought feelings of exhilaration and shared them with his friends. Xu created this monumental landscape during one of his periods of reclusion. His innumerable “hemp-fiber” texture strokes create a unifying rhythm among the towering mountains with tightly knit masses of rocks. Nestled among shady trees at the base of the mountain is a rustic retreat, which a scholar approaches on foot to visit with the hermit. Among the five inscriptions at the top of the painting is one by the artist himself. He dedicated the painting to someone named Jifu 吉夫 and recorded a poem in praise of mountains. Green trees, yellow orioles, everywhere are mountains; Aimlessly I return from the stream, where I watched the clouds. Man's life does not allow unbroken ease, But to be able to be high up in the mountain, this is leisure.

对应《溪山》。查看馆方完整解说

中文介绍据馆方记录整理；观看提示为策展解读。生卒记录存在异说时以进一步考证为准。