恽寿平

馆藏资料以“惲壽平”记录这位艺术家的署名。本页并置可核验的作品、年代与馆方说明，不用推测补齐缺失的生平。

可从作品题名、材质、形制和题跋进入观看，再结合下方馆方原文了解创作语境。已有馆方解说可供对照。

馆方作品解说 · 原文节选

Yun Shouping came from Piling (modern Changzhou), Jiangsu province, a center of floral, plant, and insect painting. He had joined the anti-Manchu resistance, was briefly imprisoned, and witnessed the death of family members in 1644. Like other artists, Yun Shouping expressed his Ming loyalism in coded pictures. The peony, king of flowers, and a spring garden motif developed new meaning during the Qing dynasty. The inscription indicates that Yun turns the flower into a motif representing the glorious past. The herbaceous peonies here appear somewhat withered and pale, with faint reddish veins running through its broken branches, perhaps a coded message. The inscription reads, An old painting by an anonymous painter of the Northern Song Dynasty has five varieties of flowers painted in the boneless manner. Its colors are so beguiling and beautiful, that even after several hundred years its lead pigments are like new. The skill with which the ink and colors were applied and the subtlety of its composition find no equal among modern followers .

对应《五色芍藥圖》。查看馆方完整解说

中文介绍据馆方记录整理；观看提示为策展解读。生卒记录存在异说时以进一步考证为准。