王維詩

与作品相对

材质与形制：Album leaf; ink on silk。年代：1256。

馆方解说原文：

Poem and painting, once mounted together as one fan, exemplify the collaboration between imperial patron and court painter. Emperor Lizong’s calligraphy cites a verse from Wang Wei’s (701–761) poem, Walking to where the water ends, I sit and watch when clouds arise . Ma Lin’s response is this painting. At the water’s edge, a scholar reclines by a large rock. The view leads across the empty middle ground to a distant mountain. With sparse ink and subtly graded washes, Ma Lin visualizes the poetic verse. The painting suggests the impact of Chan aesthetics through interaction between the palace, literati-officials, and monasteries around Hangzhou. The leaf facing Emperor Lizong’s calligraphy has an inscription by Zhang Daqian (1899–1983).

本页保留来源署名与归属限定。图像镜像对应采集时的馆方网页版本，不冒充原作高清扫描。