
王維詩
宋理宗 · 1256
书法 · 克利夫兰艺术博物馆 · CC0

LIFE & LANGUAGE
2 件馆藏图像记录
历史文化资料,非入驻身份
馆藏资料以“宋理宗”记录这位艺术家的署名。本页并置可核验的作品、年代与馆方说明,不用推测补齐缺失的生平。
Chinese Emperor, reigned 1225–64
可从作品题名、材质、形制和题跋进入观看,再结合下方馆方原文了解创作语境。已有馆方解说可供对照。
Poem and painting, once mounted together as one fan, exemplify the collaboration between imperial patron and court painter. Emperor Lizong’s calligraphy cites a verse from Wang Wei’s (701–761) poem, Walking to where the water ends, I sit and watch when clouds arise . Ma Lin’s response is this painting. At the water’s edge, a scholar reclines by a large rock. The view leads across the empty middle ground to a distant mountain. With sparse ink and subtly graded washes, Ma Lin visualizes the poetic verse. The painting suggests the impact of Chan aesthetics through interaction between the palace, literati-officials, and monasteries around Hangzhou. The leaf facing Emperor Lizong’s calligraphy has an inscription by Zhang Daqian (1899–1983).
对应《王維詩》。查看馆方完整解说
中文介绍据馆方记录整理;观看提示为策展解读。生卒记录存在异说时以进一步考证为准。
2 件图像记录;可能包含整册与单叶,不等于同等数量的独立创作。原题与署名限定保留。