陶成

馆藏资料以“陶成”记录这位艺术家的署名。本页并置可核验的作品、年代与馆方说明，不用推测补齐缺失的生平。

可从作品题名、材质、形制和题跋进入观看，再结合下方馆方原文了解创作语境。已有馆方解说可供对照。

馆方作品解说 · 原文节选

On an autumn day in Beijing, Tao Cheng had a gathering with a group of scholar-officials and created two paintings in a spontaneous, casual style. The first depicts chrysanthemums, slender bamboo stalks, and a rock in monochrome ink. Tao applied light colors for the second painting that depicts cabbage. Tao deliberately placed the images on the first sections of the paper so that his honorable guests could add their poetic inscriptions inspired by his imagery. In the first section to the right, all seven poetic inscriptions refer to the beloved poet and recluse Tao Qian (also called Tao Yuanming, AD 365–427) who was particularly known for his profound love for chrysanthemum flowers. Most of the inscriptions in the second section express sympathy for the poor, since cabbage is the main ingredient in their humble food. Taken together, the poems and paintings allude to the life and responsibilities of the scholar-official: the importance of both an upright character and a concern for the poor citizens in order to achieve good government.

对应《菊花白菜圖》。查看馆方完整解说

中文介绍据馆方记录整理；观看提示为策展解读。生卒记录存在异说时以进一步考证为准。